Evil Ebenezer

About

Evil Ebenezer is a Vancouver-based rapper/singer and a 5-time Western Canadian Music Award nominee. He has shared the stage with internationally recognized artists such as A$AP Rocky, Tech N9ne, Raekwon, Yelawolf, House of Pain, Onyx, and De La Soul.

Symphonic worked extensively on “Look at My Life” — a track centered around introspection, struggle, and personal redemption. Inspired by lived experiences, the song explores the challenges of pursuing dreams while facing addiction and inner conflict. Its themes of regret, self-doubt, resilience, and the pursuit of hope resonate deeply with listeners navigating similar journeys.

Genre: Hip Hop

What We Did

Distribution | Marketing

Distribution

Evil’s releases were distributed through our network of 200+ DSPs, ensuring broad discoverability and consistent access for fans worldwide — while supporting playlist pitching opportunities with each new single.

Marketing

Evil followed a disciplined content and release strategy mapped collaboratively with our marketing team:

Regular releases: A new single every six weeks to maintain visibility and strengthen audience engagement.
Video content: Each track was paired with visual content to boost platform reach and reinforce storytelling.
Consistent sonic identity: Staying within a clear, recognizable sound made it easier for editors and programmers to place his music.
Editorial familiarity: Because of his consistency — both musically and in release cadence — editors became increasingly familiar with his name, improving playlist pitching outcomes.
Leveraging regional strength: Evil capitalized on his growing dominance within the Canadian hip-hop scene, building a strong base for continued expansion.

Results

90% of releases this year landed on two or more playlists
4 Apple Music playlists + two video playlists

What Drove These Results

A disciplined six-week release cadence, consistent genre identity, strong video support, and frequent playlist pitching created ongoing visibility for Evil Ebenezer — leading to consistent editorial familiarity, multi-playlist placements for the majority of his releases, and sustained growth within the Canadian Hip Hop landscape.